Oto zapis spotkania trzech artystów o ogromnej sile osobowości! Pierwszy utwór daje próbkę tego, co nas czeka dalej. Ellington gra tak, jakby prowadził orkiestrę. Słyszymy silne riffy sekcji saksofonów, uderzenia trąbek, puls sekcji i wyraźny dialog grup instrumentów na zasadzie „call and response”. Bas Charlie’ego Mingusa podąża za myślą Duke’a w sposób wysoce osobliwy i inspirujący, komentuje frazy fortepianu i jednocześnie podąża za nimi. Majstersztykiem genialnej prostoty jest z kolei słynna „Karawana”, gdzie najpierw bębny, potem bas zaskakującą figurą antycypują potężne uderzenie lewej ręki Duke’a, który znów wirtualnie wprowadza beat i sound swej orkiestry. Oto słynne „head arrangements”, które Mistrz inicjował swymi lapidarnymi zwrotami na fortepianie. Brzmią fantastycznie! Punktują to, co kluczowe zarówno na płycie „Money Jungle”,  jak i w całym ellingtonowskim jazzie.

1. Money Jungle – 5:26
   24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
   by Tempo Music Inc., 1962, 2002 Blue Note Records. All Rights Reserved
2. Fleurette Africaine (African Flower) – 3:33
   2002 Digital Remaster, Duke Ellington (Composer), Published by Tempo Music
   Inc., 1962, 2002 Blue Note Records. All Rights Reserved
3. Very Special – 4:23
   24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
   by Famous Music LLC, 2002 Blue Note Records. All Rights Reserved
4. Warm Valley – 3:31
   2002 Digital Remaster, Duke Ellington (Composer), Published by SBK Robbins
   Catalog Inc., 2002 Blue Note Records. All Rights Reserved
5. Wig Wise – 3:17
   24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
   by Sony/ATV Harmony, 2002 Blue Note Records. All Rights Reserved
6. Caravan – 4:12
   Duke Ellington, Juan Tizol and Irving Mills (Composers), Published by EMI Mills
   Music Inc., Sony/ATV Harmony, 1962 Blue Note Records. All Rights Reserved
7. Solitude – 5:32
   24-Bit Mastering, 2002 Digital Remaster, Eddie De Lange, Duke Ellington and
   Irving Mills (Composers), Published by EMI Mills Music Inc., Famous Music
   Corporation, Scarsdale Music Corp., 2002 Blue Note Records.
   All Rights Reserved
8. Switch Blade – 5:22
   24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
   by Mercer Music, 1962, 2002 Blue Note Records. All Rights Reserved
9. A Little Max (Parfait) – 2:55
   24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
   by Mercer Ellington Music, 1962, 2002 Blue Note Records. All Rights Reserved
10. Rem Blues – 4:15
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
    by Mercer Music, 1962, 2002 Blue Note Records. All Rights Reserved
11. Backward Country Boy Blues – 6:21
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
    by Mercer Ellington Music, 1962, 2002 Blue Note Records. All Rights Reserved
12. Solitude (Alternate Take) – 4:43
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington, Irving Mills and Eddie
    De Lange (Composers), Published by EMI Mills Music Inc., Famous Music
    Corporation, Scarsdale Music Corp.,
    (P) 1962, 2002 Blue Note Records. All Rights Reserved
13. Switch Blade (Alternate Take) – 5:11
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
    by Mercer Music, 1962, 2002 Blue Note Records. All Rights Reserved
14. A Little Max (Parfait) (Alternate Take) – 2:54
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
    by Mercer Ellington Music, 1962, 2002 Blue Note Records. All Rights Reserved
15. Rem Blues (Alternate Take) – 5:44
    24-Bit Mastering, 2002 Digital Remaster, Duke Ellington (Composer), Published
    by Mercer Music, Π 1962, 2002 Blue Note Records. All Rights Reserved
     

Koszt przesyłki pokrywa Polityka SP. Wysyłka nastąpi po ok. 7 dniach od zaksięgowania wpłaty, jednak nie wcześniej niż 7 października.

Uwaga! Nie ma możliwości dostawy poza granicę Polski tego towaru.